Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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TASSI, Agostino
Competition on the Capitoline Hill wr

ID: 09201

TASSI, Agostino Competition on the Capitoline Hill wr
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TASSI, Agostino Competition on the Capitoline Hill wr


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TASSI, Agostino

Italian painter, Roman school (b. 1578, Roma, d. 1644, Roma).   Related Paintings of TASSI, Agostino :. | Aliso Canyon and Bridge at Coast Highway,n.d. | The walk to Emmaus | Certosa,near Florence (mk46) | Landscape with Peasants Resting gggf | Baptism of Christ |
Related Artists:
Sven Birger Sandzen
(5 February 1871-19 June 1954), known more commonly as Birger Sandzen, was a Swedish-American painter best known for his landscapes. He produced most of his work while working as an art professor at the Bethany College, Lindsborg, Kansas. Sandzen was born in Blidsberg, Ulricehamn Municipality, Västra Götaland County, Sweden, the son of a Lutheran minister and his wife, an accomplished watercolorist. A protege of Anders Zorn, Sandzen showed an interest in art at from early age, and at the age of 10 joined Cathedral School (Katedralskolan) situated in Skara, to study art under the tutelage of Olof Erlandsson, a graduate of the Royal Swedish Academy of Arts. After graduating in 1890, Sandzen studied for a short time at the University of Lund before moving to Stockholm. It was his intention to enroll at the Royal Swedish Academy of Arts. However, the waiting list proved too long for him. Instead, he sought out and joined a group of young artists who were studying under Anders Zorn, Richard Bergh and Per Hasselberg. This group would later be known as the Artists League (Konstnärsförbundet).At the end of his studies, Zorn and Bergh recommended that Sandzen complete his painting studies in Paris. In 1894, Sandzen left Stockholm to study under Edmond Aman-Jean who introduced Sandzen to pointillism.
Pieter Gijsels
Flemish painter (b. 1621, Antwerpen, d. 1690, Antwerpen
abstract composition
Russian painter, sculptor, designer and photographer. He was a central exponent of Russian Constructivism, owing much to the pre-Revolutionary work of Malevich and Tatlin, and he was closely involved in the cultural debates and experiments that followed the Revolution of 1917. In 1921 he denounced, on ideological grounds, easel painting and fine art, and he became an exponent of Productivism (see CONSTRUCTIVISM,






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